Megan Wobus's Privilege is a compelling entry into the young adult dystopian genre, offering a fresh perspective on societal norms and gender dynamics. Set in the year 2034, the novel unfolds in a world where women have taken control of Greater Maryland, and weapons are banned globally. This intriguing premise sets the stage for a narrative that explores themes of power, trust, and identity.

The protagonist, Amity, is a young woman on the cusp of taking her Oath to become an Officer of the Peaceful Society (PS). Her life has been a series of attempts to meet the expectations set by her mother, educators, and the government. Amity's journey is one of self-discovery, as she grapples with her beliefs and the reality of the world she inhabits. Her character is well-developed, showcasing a blend of vulnerability and strength that makes her relatable to readers. As she embarks on a mission that challenges her loyalty to the PS, Amity's internal conflict becomes a central focus of the narrative.

In contrast, Vale is a character driven by a deep-seated mistrust of the PS, stemming from a personal tragedy involving his mother. His mission in Baltimore to rescue men for his father's militia adds a layer of tension and urgency to the story. Vale's character is a study in resilience and determination, and his interactions with Amity provide a dynamic counterpoint to her journey. The chemistry between Amity and Vale is palpable, and their evolving relationship adds a romantic dimension to the dystopian backdrop.

Wobus skillfully weaves themes of power dynamics and gender roles throughout the narrative. The reversal of traditional gender roles, with women in positions of authority and men in a more subservient role, challenges readers to reconsider preconceived notions about power and privilege. This thematic exploration is reminiscent of other dystopian works, such as Margaret Atwood's The Handmaid's Tale, where societal structures are upended to provoke thought and discussion.

The world-building in Privilege is meticulous, with Wobus creating a society that feels both futuristic and eerily familiar. The banning of weapons and the establishment of the Peaceful Society are intriguing concepts that raise questions about the nature of peace and control. The author delves into the complexities of a society striving for peace through control, highlighting the tension between individual freedom and societal expectations.

One of the novel's strengths is its ability to maintain a balance between action and introspection. The plot is fast-paced, with unexpected twists that keep readers engaged. Yet, Wobus does not shy away from exploring the emotional and psychological landscapes of her characters. This dual focus ensures that the narrative is both thrilling and thought-provoking.

In terms of style, Wobus's writing is accessible and engaging, making Privilege an ideal read for young adults and fans of dystopian fiction. Her prose is clear and evocative, capturing the tension and emotion of the story without becoming overwrought. The dialogue is natural and contributes to the development of the characters and their relationships.

Comparatively, Privilege shares thematic elements with other young adult dystopian series, such as Suzanne Collins's The Hunger Games and Veronica Roth's Divergent. Like these series, Wobus's novel features a strong female protagonist navigating a world fraught with danger and moral ambiguity. However, Privilege distinguishes itself with its focus on gender dynamics and the concept of a Peaceful Society, offering a unique take on the genre.

Overall, Privilege is a thought-provoking and engaging start to the Peaceful Society trilogy. Megan Wobus has crafted a narrative that challenges readers to question societal norms and consider the complexities of power and privilege. With well-developed characters, a compelling plot, and a richly imagined world, Privilege is a must-read for fans of dystopian fiction. As the first book in the trilogy, it sets the stage for what promises to be an exciting and insightful series.