We Can't Be Friends
by Hannah Hamrick
Callum Sullivan is the definition of all smiles: cool, calm, and collected.
Leaving London for the Chicago opening of Hayes Hotels, Callum is desperate to continue being the person everyone expects him to be—a beloved son and brother, the chief finance officer of his best friend’s hotel empire—except when it comes to love. He’s sworn off it till his mother gives him an ultimatum.
Chloe Henry is the opposite: messy, loud, and overprotective.
Nine years ago, Chloe’s life changed, and not for the better. Leaving home for Chicago, she rooted herself into a picture-perfect life—an impressive job, great friends, and the cutest dog. Years later, that life is cracking.
Stumbling into each other’s life is merely on the foundation of being friends of friends. Or so they thought. As an undeniable friendship and attraction strikes between the two, they find themselves both in need when Chloe’s apartment floods. Callum takes her in on one condition, be his fake girlfriend.
Realizing they are more alike than anyone would know, they slowly uncover the person they’ve shielded everyone else from—the truth of secrets they’ve buried and pasts they both are running from.
As the outline of their friendship blurs, can their relationship stretch past the hurt they keep? Or will they both agree that they can’t be friends?
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Martial Peak Reviews
Hannah Hamrick's We Can't Be Friends is a contemporary romance novel that delves into the complexities of love, friendship, and self-discovery. Set against the vibrant backdrop of Chicago, the story follows Callum Sullivan and Chloe Henry, two seemingly opposite individuals whose lives intertwine in unexpected ways. At its core, the novel explores the themes of identity, vulnerability, and the transformative power of relationships.
Callum Sullivan is introduced as the epitome of composure and charm. As the chief finance officer of his best friend's hotel empire, he is a man who appears to have it all together. Yet, beneath this polished exterior lies a man who has sworn off love, driven by a past that haunts him. His move from London to Chicago is not just a career decision but a chance to escape the expectations that weigh heavily on him. Hamrick crafts Callum's character with a deft hand, gradually peeling back the layers to reveal a man who is both relatable and complex.
In contrast, Chloe Henry is portrayed as a whirlwind of energy and emotion. Her life, once picture-perfect, is now on the brink of unraveling. Nine years ago, a pivotal event altered her trajectory, leading her to build a life in Chicago that, on the surface, seems ideal. However, as the narrative unfolds, it becomes clear that Chloe is grappling with her own set of challenges. Her character is a testament to resilience, and Hamrick does an excellent job of portraying her as both strong and vulnerable.
The chemistry between Callum and Chloe is palpable from their first encounter. Their relationship begins as a friendship of convenience, catalyzed by Chloe's need for a place to stay after her apartment floods. Callum's proposition for Chloe to be his fake girlfriend sets the stage for a series of events that blur the lines between friendship and romance. Hamrick skillfully navigates this transition, allowing their relationship to evolve organically. The dialogue between the two is witty and engaging, providing a solid foundation for their growing connection.
One of the novel's strengths lies in its exploration of the characters' pasts and how these experiences shape their present. Both Callum and Chloe are running from secrets that have defined them for too long. As they open up to each other, they begin to confront these ghosts, leading to moments of profound self-discovery. Hamrick's portrayal of this journey is both poignant and realistic, capturing the essence of what it means to be truly vulnerable with another person.
The theme of identity is central to the narrative, as both protagonists grapple with the personas they present to the world versus their true selves. Callum's struggle with familial expectations and Chloe's battle with her past are universal themes that resonate with readers. Hamrick's ability to weave these elements into the story adds depth and complexity, elevating the novel beyond a simple romance.
In terms of character development, Hamrick excels in creating multidimensional characters who grow and evolve throughout the story. Callum's journey from a man who shuns love to someone willing to embrace it is particularly compelling. Similarly, Chloe's transformation from a woman hiding behind a facade to one who confronts her fears head-on is both inspiring and relatable. The supporting characters, though not as deeply explored, provide a rich backdrop that enhances the main narrative.
Comparatively, We Can't Be Friends shares thematic similarities with other contemporary romances, such as Christina Lauren's Roomies and Sally Thorne's The Hating Game. Like these novels, Hamrick's work explores the fine line between friendship and romance, while also delving into the personal growth of its protagonists. However, Hamrick's unique voice and her focus on the protagonists' internal struggles set her novel apart, offering readers a fresh perspective on familiar themes.
The novel's pacing is well-balanced, with a narrative that keeps readers engaged from start to finish. Hamrick's writing style is both accessible and evocative, drawing readers into the world she has created. The vivid descriptions of Chicago add an extra layer of charm, serving as a fitting backdrop for Callum and Chloe's journey.
Overall, We Can't Be Friends is a captivating exploration of love, friendship, and self-discovery. Hannah Hamrick has crafted a story that is both heartwarming and thought-provoking, with characters who linger in the reader's mind long after the final page is turned. For those who enjoy contemporary romance with depth and emotional resonance, this novel is a must-read. It is a testament to the idea that sometimes, the most unexpected relationships can lead to the most profound transformations.
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