Veiled Flames
by Mara Leigh
Disobedient women change the world
I’ve spent my life trapped and ignored, a princess in a Kingdom where women hold no power. When my father arranges my marriage to a cruel and elderly king, I escape.
Disguised as a boy, I join a camp of elite dragon riders, warriors who protect the Kingdoms of Light. But women can’t ride dragons. It’s forbidden. Blasphemous to even think of a woman mounting a dragon’s pommel. Yet I’m determined to do so—or die trying.
Saxon, my mysterious dragon master, sees through my disguise. The experienced commander awakens fiery passions and dark desires I never imagined, but if I continue my quest to ride dragons, our sizzling chemistry must end.
Prince Tynan, the handsome but arrogant grandson of the very man I was meant to marry, doesn’t recognize me in disguise. Our inexplicable attraction confounds us both—I hate him, he thinks I’m a boy—but beneath his cruel bullying, I glimpse deep wounds that mirror my own.
Then there’s Zogar the Behemoth—the largest, fiercest, most feared dragon of all. He’s never accepted a rider upon his pommel… Not until now.
The moment I mount my dragon, everything changes. The line between human and dragon blurs, dark secrets are revealed, and my prophesied destiny awaits.
As demons break through the magical veil that protects the Kingdoms of Light, my forbidden bond with the Behemoth takes me beyond its protection to discover the truth.
Book 1 in a romantasy trilogy where a princess discovers her power in a world of dark secrets, dragons, and otherworldly forbidden love
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Veiled Flames on http://kissnovel.net
Martial Peak Reviews
Mara Leigh’s Veiled Flames is a captivating entry into the realm of romantasy, a genre that seamlessly blends romance and fantasy, offering readers a thrilling escape into a world where dragons soar and societal norms are challenged. At its core, the novel is a tale of empowerment, identity, and the relentless pursuit of freedom, wrapped in a narrative that is as fiery as the dragons it features.
The protagonist, a princess shackled by the oppressive traditions of her kingdom, embodies the theme of rebellion against patriarchal constraints. Her journey from a life of subjugation to one of self-discovery and empowerment is a testament to the novel’s central message: disobedient women change the world. This theme resonates throughout the narrative, as the protagonist defies societal expectations by disguising herself as a boy to join an elite group of dragon riders. Her transformation is not just physical but deeply psychological, as she grapples with her identity and the roles imposed upon her by society.
Leigh’s character development is particularly noteworthy. The protagonist’s evolution from a sheltered princess to a formidable dragon rider is portrayed with nuance and depth. Her interactions with Saxon, the enigmatic dragon master, and Prince Tynan, the arrogant yet wounded royal, add layers to her character. Saxon’s ability to see through her disguise and his awakening of her dormant desires introduces a complex dynamic that challenges traditional gender roles and expectations. Their relationship is a dance of power and vulnerability, highlighting the tension between duty and desire.
Prince Tynan, on the other hand, serves as a foil to the protagonist. His initial arrogance and cruelty mask a deeper pain, mirroring the protagonist’s own struggles. Their relationship is fraught with tension and misunderstanding, yet it is through these interactions that both characters confront their inner demons. Leigh skillfully peels back the layers of Tynan’s character, revealing a depth that adds richness to the narrative.
The introduction of Zogar the Behemoth, the largest and most feared dragon, is a pivotal moment in the story. The bond between the protagonist and Zogar transcends the traditional rider-dragon relationship, blurring the lines between human and dragon. This connection is symbolic of the protagonist’s own journey of self-discovery and empowerment. The dragon, often a symbol of untamed power and freedom, becomes an extension of her own will and determination.
Leigh’s world-building is immersive and detailed, painting a vivid picture of the Kingdoms of Light and the magical veil that protects them. The impending threat of demons breaking through this veil adds a sense of urgency and tension to the narrative, propelling the protagonist towards her destiny. The author’s ability to weave together elements of fantasy with a compelling romance plot is commendable, creating a story that is both engaging and thought-provoking.
One of the novel’s strengths lies in its exploration of forbidden love and the consequences of defying societal norms. The protagonist’s relationships with Saxon and Tynan are fraught with challenges, yet they also offer opportunities for growth and self-discovery. The theme of forbidden love is a common trope in romantasy, yet Leigh manages to infuse it with fresh energy and perspective, making it feel both familiar and new.
Comparatively, Veiled Flames shares thematic similarities with works like Sarah J. Maas’s Throne of Glass series and Naomi Novik’s His Majesty’s Dragon. Like Maas, Leigh crafts a strong female protagonist who defies expectations and carves her own path in a male-dominated world. The dragon-rider dynamic echoes Novik’s work, yet Leigh’s unique take on the bond between human and dragon sets her story apart.
Overall, Veiled Flames is a compelling start to a promising trilogy. Mara Leigh has crafted a story that is both entertaining and thought-provoking, challenging readers to question societal norms and embrace the power of disobedience. The novel’s blend of romance, fantasy, and adventure offers something for everyone, making it a must-read for fans of the genre.
In conclusion, Veiled Flames is more than just a tale of dragons and romance; it is a story of empowerment, identity, and the transformative power of love. Leigh’s ability to create complex characters and a richly detailed world ensures that readers will be eagerly anticipating the next installment in this captivating series.
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