This Midsummer Heart
by C.K. Beggan
Their love was once a midsummer night’s dream that united elves and fae. Now these lovers turned enemies must depend on each other to survive the journey ahead.
As House leader of all fae, Titaine will do anything to avoid fading away in a world that’s lost its magic. She needs to be on the last runeship to the still-thriving city of Nox, one of the only remaining bastions for magical beings—even if it means hitching a ride with Auberon, her sworn enemy and the wicked Houselord of all elves.
He also happens to be her ex-husband.
Putting his faith in his fae servant Puk, Auberon secures one of the world’s last working runeships, swift enough to carry him across the sea before magic leaves his body completely. When Titaine asks for a meeting, Auberon’s ready to make her grovel for a place on his ship.
Instead of vindication, Auberon is served a vile trick when Puk leaves both him and Titaine stranded on the shore. If they want to get to Nox, they’ll have to work together, crossing darkened forests and the dangerous Bridge of Miracles as their magic continues to fade.
Their journey will require faith, trust, and a hope for something better. The road to Nox just might be long enough to make two former lovers fall for one another again—if they can avoid throttling each other first.
This Midsummer Heart is the fourth and final book in the Seasons of Legend series, a multi-author collection of romantic fantasy novellas designed to be read independently.
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Martial Peak Reviews
C.K. Beggan's This Midsummer Heart is a captivating tale that weaves together themes of love, betrayal, and redemption against the backdrop of a world teetering on the brink of magical extinction. As the fourth and final installment in the Seasons of Legend series, this novella stands out not only for its engaging narrative but also for its rich character development and the emotional depth it brings to the fantasy genre.
At the heart of the story are Titaine and Auberon, two former lovers whose relationship has soured into enmity. Their dynamic is a fascinating exploration of how love can transform into bitterness and how, under dire circumstances, it can be rekindled. Titaine, the determined House leader of the fae, is a character driven by survival and the desire to preserve her kind. Her desperation to reach the city of Nox, one of the last refuges for magical beings, is palpable and adds a sense of urgency to the narrative.
Auberon, on the other hand, is portrayed as a complex character whose initial desire for vindication against Titaine is quickly overshadowed by the necessity of cooperation. As the Houselord of all elves, his authority and pride are challenged when he is betrayed by his servant, Puk. This betrayal serves as a catalyst for the journey that forces Auberon and Titaine to confront their past and rely on each other to survive.
The journey to Nox is not just a physical one but also a metaphorical journey of healing and rediscovery. Beggan skillfully uses the fading magic as a symbol of the fading connection between the two protagonists. As their magic diminishes, they are stripped of their defenses, both literal and emotional, allowing for genuine vulnerability and growth. This theme of fading magic is reminiscent of works like J.R.R. Tolkien's The Lord of the Rings, where the waning of magic signifies the end of an era and the need for adaptation and resilience.
One of the novella's strengths lies in its ability to balance action with introspection. The perilous journey through darkened forests and the treacherous Bridge of Miracles is filled with tension and suspense, keeping readers on the edge of their seats. Yet, it is in the quieter moments, where Titaine and Auberon are forced to confront their shared history, that the story truly shines. These moments are imbued with emotional resonance, making the reader root for their reconciliation.
The character of Puk adds an interesting layer to the narrative. His betrayal is not just a plot device but also a commentary on the complexities of loyalty and power dynamics. Puk's actions serve as a reminder that trust is fragile and that even those closest to us can have hidden agendas. This theme is explored in a nuanced manner, adding depth to the story and prompting readers to reflect on the nature of trust and betrayal in their own lives.
In terms of writing style, Beggan's prose is both lyrical and evocative, painting vivid images of a world in decline. The descriptions of the fading magic and the desolate landscapes create a haunting atmosphere that lingers long after the final page is turned. The dialogue is sharp and witty, capturing the tension and chemistry between Titaine and Auberon, while also providing moments of levity that balance the darker themes.
Comparatively, This Midsummer Heart shares thematic similarities with Sarah J. Maas's A Court of Thorns and Roses series, particularly in its exploration of love and redemption amidst a backdrop of political intrigue and magical decay. However, Beggan's novella distinguishes itself through its focus on the personal journey of its protagonists and the intimate nature of its storytelling.
Overall, This Midsummer Heart is a fitting conclusion to the Seasons of Legend series, offering a satisfying blend of romance, adventure, and introspection. It is a story that will resonate with fans of romantic fantasy and those who appreciate tales of second chances and the enduring power of love. Beggan has crafted a narrative that is both timeless and timely, reminding us of the importance of hope and the possibility of renewal even in the face of seemingly insurmountable odds.
For readers seeking a story that combines the enchantment of fantasy with the emotional depth of a character-driven narrative, This Midsummer Heart is a must-read. It is a testament to Beggan's skill as a storyteller and a poignant reminder that even in a world where magic is fading, the magic of love and forgiveness endures.
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