The Last Necromancer
by C.J. Archer
Victorian London: For five years, Charlotte (Charlie) Holloway has lived as a boy in the slums. But when one theft too many gets her arrested, her only means of escape lies with a dead man. Charlie hasn’t raised a spirit since she first discovered she could do so five years ago. That time, her father banished her. This time, she brings even more trouble upon herself.
People are now hunting Charlie all over London, but only one man succeeds in capturing her.
Lincoln Fitzroy is the mysterious head of a secret organization on the trail of a madman who needs a necromancer to control his newly “made” creatures. There was only one known necromancer in the world – Charlotte – but now there appears to be two. Lincoln captures the willful Charlie in the hopes the boy will lead him to Charlotte. But what happens when he discovers the boy is in fact the young woman he’s been searching for all along? And will she agree to work for the man who held her against her will, and for an organization she doesn’t trust?
Because Lincoln and his ministry might be just as dangerous as the madman they’re hunting.
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Martial Peak Reviews
C.J. Archer's The Last Necromancer is a captivating blend of historical fiction and supernatural intrigue set against the backdrop of Victorian London. This novel, the first in the "Ministry of Curiosities" series, introduces readers to a world where the line between life and death is blurred, and where the past and the present collide in unexpected ways.
At the heart of the story is Charlotte "Charlie" Holloway, a young woman who has spent the last five years masquerading as a boy in the gritty slums of London. Her life is a constant struggle for survival, marked by petty thefts and a desperate need to remain hidden. Charlie's unique ability to raise the dead is both her greatest asset and her most dangerous secret. This power, which first manifested five years prior, led to her estrangement from her father and set her on a path of isolation and fear.
The novel opens with a gripping scene where Charlie's latest theft goes awry, leading to her arrest. Her escape hinges on her ability to summon a spirit, an act that sets off a chain of events drawing the attention of various factions across London. Among those interested in her abilities is Lincoln Fitzroy, the enigmatic leader of a clandestine organization tasked with stopping a madman who seeks to exploit necromancy for his own nefarious purposes.
Archer's portrayal of Charlie is both nuanced and compelling. She is a character defined by her resilience and resourcefulness, traits honed by years of living on the streets. Her struggle with identity—both as a woman in a patriarchal society and as a necromancer in a world that fears the supernatural—adds depth to her character. The tension between her desire for freedom and the necessity of her powers creates a rich internal conflict that drives the narrative forward.
Lincoln Fitzroy serves as a fascinating counterpoint to Charlie. His initial perception of her as a mere boy underscores the theme of mistaken identity and the societal constraints placed on women. As the story unfolds, Lincoln's character is revealed to be more complex than his stoic exterior suggests. His interactions with Charlie are charged with tension, as both characters grapple with trust and the implications of their respective roles in the unfolding drama.
The dynamic between Charlie and Lincoln is one of the novel's strengths. Their relationship evolves from one of captor and captive to reluctant allies, and eventually, to something more profound. Archer skillfully navigates this progression, allowing their mutual respect and understanding to develop organically. This relationship is emblematic of the novel's broader themes of trust, redemption, and the search for belonging.
Archer's depiction of Victorian London is richly atmospheric, capturing the era's stark contrasts between opulence and poverty, progress and superstition. The city's dark alleys and shadowy corners serve as the perfect backdrop for a story steeped in mystery and danger. The author's attention to historical detail lends authenticity to the setting, while the supernatural elements add an intriguing layer of complexity.
Thematically, The Last Necromancer explores the nature of power and its potential for both good and evil. Charlie's necromancy is a double-edged sword, offering the possibility of protection and control, but also posing significant risks. The novel raises questions about the ethical implications of such power and the responsibilities that come with it. This exploration is mirrored in the actions of the antagonist, whose misuse of necromancy serves as a cautionary tale about the corrupting influence of unchecked ambition.
In comparison to other works in the genre, Archer's novel stands out for its strong character development and the seamless integration of historical and supernatural elements. Fans of Gail Carriger's "Parasol Protectorate" series or Susanna Clarke's Jonathan Strange & Mr Norrell will find much to appreciate in Archer's blend of wit, romance, and the macabre. However, The Last Necromancer carves its own niche with its focus on a female protagonist who defies societal norms and challenges the status quo.
Overall, The Last Necromancer is a compelling start to the "Ministry of Curiosities" series, offering a richly imagined world and a cast of memorable characters. Archer's ability to weave together elements of mystery, romance, and the supernatural results in a narrative that is both entertaining and thought-provoking. The novel's exploration of identity, power, and redemption resonates long after the final page is turned, leaving readers eager to continue Charlie's journey in subsequent installments.
For those seeking a story that combines the allure of Victorian London with the thrill of the supernatural, The Last Necromancer is a must-read. Its engaging plot, well-drawn characters, and thematic depth make it a standout in the genre, promising an adventure that is as emotionally resonant as it is exciting.
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