The First Year
by Mazzy J. March
I was fanged by a vampire.
I am a wolf shifter, and even though I did not turn, I’ve been taken from my school and deposited in one in the middle of nowhere to make sure I cannot harm others.
I still feel like me, but nobody else seems to think so. Unlike my old school, Urban Academy, everything here is very regimented, and we are locked in our cells…rooms…at night. My closest neighbors on this floor are three incredibly hot males who also bear the marks and also have not changed. They are a year ahead of me and have been here that much longer, so I want to find a way to talk to them, learn what to expect…and if there is ever going to be any way out of this place. If big strong wolves like them are still here, what can a female with no physical abilities to speak of hope to do?
Depend on this: I am not spending my whole life in the prison the administration calls Summer Ridge and we call Marked Blood Academy. I’ve done nothing wrong and do not deserve to be treated like a dangerous criminal or an animal. When I complained, the uniformed guard accompanying me told me I should be glad not to be put down. Put down?
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Martial Peak Reviews
Mazzy J. March's The First Year is a compelling entry into the realm of supernatural fiction, blending elements of mystery, romance, and self-discovery. The novel's premise is immediately intriguing: a wolf shifter, bitten by a vampire, is whisked away to a secluded academy designed to contain those who bear the marks of vampirism but have not fully transformed. This setup provides a fresh twist on the traditional vampire and werewolf lore, setting the stage for a story that explores themes of identity, freedom, and resilience.
The protagonist, a young wolf shifter, finds herself in a precarious situation. Despite not having turned into a vampire, she is treated as a potential threat and confined to Summer Ridge, a place she and her peers refer to as Marked Blood Academy. The institution is portrayed as a prison-like environment, with strict regimentation and nightly lockdowns, which adds a layer of tension and urgency to the narrative. The protagonist's determination to escape and prove her innocence is a driving force throughout the novel, making her a relatable and sympathetic character.
Character development is one of the novel's strong suits. The protagonist's journey from confusion and frustration to empowerment and self-assertion is well-crafted. Her interactions with the three male characters, who are also marked but not transformed, add depth to the story. These characters, each with their own backstories and motivations, provide different perspectives on their shared predicament. The dynamics between them are complex and evolve naturally, offering readers a glimpse into the struggles and camaraderie that develop in such an oppressive environment.
March's writing is engaging and descriptive, effectively conveying the protagonist's emotions and the oppressive atmosphere of the academy. The author skillfully balances action and introspection, allowing readers to connect with the protagonist's internal struggles while maintaining a brisk narrative pace. The dialogue is sharp and often laced with humor, providing moments of levity amidst the tension.
Thematically, The First Year delves into the concept of identity and the fear of the unknown. The protagonist's struggle to maintain her sense of self in the face of external pressures is a central theme. The novel raises questions about what it means to be different and how society treats those who do not fit neatly into predefined categories. The idea of being "marked" but not transformed serves as a metaphor for feeling trapped between two worlds, unable to fully belong to either.
Another significant theme is the quest for freedom and autonomy. The protagonist's determination to escape the confines of the academy and reclaim her life is a powerful narrative thread. Her journey is not just about physical escape but also about breaking free from the constraints imposed by others' perceptions and expectations. This theme resonates with readers who have ever felt misunderstood or constrained by societal norms.
In comparison to other works in the supernatural genre, The First Year stands out for its unique premise and strong character development. While it shares some similarities with other academy-based supernatural stories, such as Richelle Mead's Vampire Academy series or Rachel Hawkins' Hex Hall, March's novel distinguishes itself through its focus on the intersection of vampire and werewolf lore and its exploration of identity and autonomy.
Overall, The First Year is a captivating read that will appeal to fans of supernatural fiction and those who enjoy stories of personal growth and resilience. Mazzy J. March has crafted a world that is both familiar and refreshingly original, populated by characters who are easy to root for. The novel's blend of action, romance, and introspection ensures that it will keep readers engaged from start to finish.
For those looking for a story that challenges traditional supernatural tropes and offers a fresh perspective on the genre, The First Year is a must-read. Its exploration of identity, freedom, and the power of self-determination makes it a thought-provoking and enjoyable addition to the world of supernatural fiction.
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