Elle Mae’s novella, Taken to the Deadlands, is a captivating entry into the realm of speculative fiction, blending elements of fantasy, romance, and a touch of horror. This spicy sapphic series introduces readers to a world where super-powered humans are not just a rarity but a delicacy, hunted and sold in the demon realm. The premise alone is enough to intrigue, but Mae’s execution of this concept is what truly sets the book apart.

The protagonist, a seemingly ordinary woman with a knack for faking ghost sightings, finds herself thrust into a world she never imagined. The transition from her mundane life to the chaotic and dangerous demon realm is abrupt and jarring, effectively mirroring the protagonist’s own shock and disorientation. Mae’s ability to convey this sudden shift in reality is commendable, as it immerses the reader into the protagonist’s shoes, feeling every ounce of confusion and fear.

One of the standout elements of Taken to the Deadlands is its exploration of identity and deception. The protagonist’s entire predicament is rooted in a lie—her false ability to see ghosts. This deception becomes a central theme as she navigates the demon realm, constantly questioning her own worth and the consequences of her actions. Mae skillfully uses this theme to drive character development, as the protagonist grapples with her own sense of self and the facade she has created.

The introduction of the demon who purchases her adds another layer of complexity to the narrative. This character, described as both “hot” and “exceedingly annoying,” serves as a foil to the protagonist. Their dynamic is electric, filled with tension and chemistry that is palpable from their first interaction. Mae’s portrayal of their relationship is nuanced, capturing the push and pull of attraction and annoyance, trust and betrayal. The demon’s need for the protagonist’s powers, and the looming question of what will happen when the truth is revealed, creates a compelling tension that drives the story forward.

Mae’s world-building is another highlight of the novella. The demon realm is vividly imagined, with its own set of rules and hierarchies that are both fascinating and terrifying. The concept of humans being hunted for their abilities adds a layer of horror to the narrative, raising questions about power, exploitation, and survival. Mae does not shy away from the darker aspects of this world, and her willingness to explore these themes adds depth to the story.

It is important to note that Taken to the Deadlands is not just a fantasy adventure; it is also a romance. The sapphic relationship at the heart of the story is beautifully rendered, with Mae capturing the complexities of attraction and connection in a world that is anything but ordinary. The romance is integral to the plot, influencing the characters’ decisions and adding emotional weight to their journey.

For readers who enjoy stories that blend genres and defy expectations, Taken to the Deadlands is a must-read. It shares thematic similarities with works like Sarah J. Maas’s A Court of Thorns and Roses series, which also explores the intersection of fantasy and romance, though Mae’s novella is distinct in its focus on a sapphic relationship and its exploration of deception and identity.

Overall, Taken to the Deadlands is a thrilling and thought-provoking read. Elle Mae has crafted a story that is both entertaining and meaningful, with characters that linger in the mind long after the final page. The novella’s exploration of identity, power, and connection is both timely and timeless, making it a standout in the genre.

For those interested in diving into this unique world, it is advisable to check the trigger warnings on the author’s website, as the story does delve into darker themes that may not be suitable for all readers. However, for those who are ready to embark on this journey, Taken to the Deadlands promises a captivating and unforgettable experience.