Meg Smitherman's Sanctifier is a compelling blend of fantasy, romance, and intrigue that captivates readers with its rich world-building and complex character dynamics. The novel's premise—a goddess of light and a god of death entangled in a web of magic and conspiracy—sets the stage for a story that is as enchanting as it is thought-provoking.

The narrative centers around Ru Delara, an archaeologist whose discovery of magic propels her into a world of divine conflict and political machinations. Ru is a well-crafted protagonist, embodying both vulnerability and strength. Her journey from a heartbroken scholar to a key player in the fate of a kingdom is both believable and inspiring. Smitherman skillfully portrays Ru's internal struggles, making her a relatable character whose growth is a highlight of the novel.

Fen Verrill, the enigmatic god of death, serves as both a foil and a complement to Ru. His disappearance following a dark revelation adds a layer of mystery that permeates the narrative. Fen's character is shrouded in complexity, and Smitherman does an excellent job of gradually peeling back the layers to reveal his motivations and desires. The chemistry between Ru and Fen is palpable, adding an emotional depth that enhances the story's romantic elements.

The introduction of Lord D’Luc as an antagonist adds tension and urgency to the plot. His cruel charm and manipulative nature make him a formidable foe, and his interactions with Ru are charged with a sense of danger and unpredictability. Smitherman's portrayal of D’Luc is nuanced, avoiding the trap of a one-dimensional villain and instead presenting a character with his own ambitions and vulnerabilities.

One of the novel's standout features is its setting—the city of Mirith. Smitherman's world-building is meticulous, painting a vivid picture of a city steeped in history and magic. The court of Mirith, with its intrigue and devotion to a vengeful god, serves as a backdrop for the unfolding drama. The author deftly explores themes of power, faith, and destiny, weaving them seamlessly into the narrative.

The theme of choice is central to Sanctifier. Ru's journey is marked by pivotal decisions that have far-reaching consequences, not only for herself but for the entire kingdom. Smitherman explores the idea that power comes with responsibility, and the choices one makes can shape the future. This theme resonates throughout the novel, prompting readers to reflect on the nature of destiny and free will.

Smitherman's prose is both lyrical and engaging, drawing readers into the story with its vivid descriptions and emotional depth. The pacing is well-balanced, with moments of intense action interspersed with quieter, introspective scenes. This rhythm keeps the reader engaged, building tension and anticipation as the plot unfolds.

In comparison to other fantasy novels, Sanctifier stands out for its focus on character development and thematic depth. While it shares similarities with works like Sarah J. Maas's A Court of Thorns and Roses series in its blend of romance and fantasy, Smitherman's novel is distinguished by its exploration of the moral complexities of power and choice. The interplay between Ru and Fen, reminiscent of the dynamic between Feyre and Rhysand, is handled with a unique sensitivity that sets it apart.

Overall, Sanctifier is a captivating read that will appeal to fans of fantasy and romance alike. Meg Smitherman has crafted a story that is both entertaining and thought-provoking, with characters that linger in the reader's mind long after the final page is turned. The novel's exploration of themes such as power, choice, and destiny, combined with its rich world-building and compelling character arcs, make it a standout addition to the genre.

For those seeking a story that combines the allure of magic with the complexity of human emotion, Sanctifier is a must-read. Its blend of romance, intrigue, and fantasy offers a fresh take on familiar themes, ensuring that it will resonate with readers and leave them eagerly anticipating Smitherman's next work.