There’s a crush, and then there are the type of feelings that Croft Cruisie evokes from a person.
He’s everything that any straight woman would want: tall, handsome, charismatic, muscular, and sweet.
At least, Carmichael thought he was sweet, until he brings another woman to the gym she owns with her brother, on the night that’s to be their first date, and lets her know in a quick and painful, non-verbal way that her feelings are not reciprocated.
Fast forward six months, and she’s still trying to move on from the rejection.
It doesn’t help that the jerk moves in next door to her, and that she has to see him workout shirtless every single day.
How can a woman get over a silly crush when that silly crush won’t so much as give her room to breathe?
***
Croft doesn’t know what happened.
One day he was supposed to go on a date with the girl that wouldn’t leave his thoughts for even a second, and the next she’s avoiding him like the plague.
No matter how hard he tries—and admittedly, it isn’t all that hard due to the biggest case of his career taking over his life—he can’t get her to tell him what he did wrong. She refuses to give him a second chance.
At least, not until he’s nearly killed in front of the courthouse, that is.
The moment he sees his chance, he pounces. Or, more literally, he limps.
But the limping is what draws Carmichael in. The Southern charm that was instilled in him since birth will be what gets her to stay.
That’s his plan, anyway.
Funny thing about plans… they never seem to work out how you expect them to.
Lani Lynn Vale's Quit Bein' Ugly, the third installment in the Southern Gentleman series, is a delightful exploration of unrequited love, personal growth, and the complexities of human relationships. Set against the backdrop of a small Southern town, Vale weaves a narrative that is both heartwarming and humorous, capturing the essence of Southern charm while tackling deeper emotional themes.
The story revolves around Carmichael, a strong and independent woman who owns a gym with her brother. She is portrayed as a relatable character, grappling with the aftermath of a painful rejection from Croft Cruisie, the tall, handsome, and charismatic man who has unwittingly captured her heart. The initial setup of their relationship is classic: a crush that turns sour when Croft brings another woman to the gym on what was supposed to be their first date. This moment serves as a catalyst for Carmichael's emotional turmoil, and Vale does an excellent job of illustrating the confusion and hurt that often accompany such experiences.
As the narrative progresses, we see Carmichael's struggle to move on from her feelings for Croft, especially when he moves in next door. The juxtaposition of her attempts to forget him while being constantly reminded of his presence creates a palpable tension that drives the story forward. Vale's writing shines in these moments, as she captures the internal conflict of wanting to let go while simultaneously being drawn to someone who seems oblivious to the pain he has caused.
On the other hand, Croft is depicted as a well-meaning but somewhat oblivious character. His perspective adds depth to the story, as he grapples with his own feelings of confusion regarding Carmichael's sudden withdrawal. Vale skillfully portrays his frustration and determination to understand what went wrong, making him a sympathetic character despite his initial misstep. The duality of their experiences—Carmichael's hurt and Croft's bewilderment—creates a rich emotional landscape that resonates with readers.
The themes of communication and vulnerability are central to the narrative. Vale emphasizes the importance of expressing one's feelings and the consequences of miscommunication. As Croft faces a life-threatening incident, it serves as a turning point for both characters. This moment of crisis forces them to confront their feelings and the misunderstandings that have kept them apart. Vale's ability to intertwine humor with serious themes is commendable, as it allows readers to engage with the characters on multiple levels.
Vale's trademark Southern charm is evident throughout the book, with witty dialogue and relatable situations that evoke laughter and empathy. The supporting characters, including Carmichael's brother and Croft's friends, add layers to the story, providing comic relief and additional perspectives on the central conflict. Their interactions enrich the narrative, making the small-town setting feel vibrant and alive.
One of the standout aspects of Quit Bein' Ugly is Vale's character development. Both Carmichael and Croft undergo significant growth throughout the story. Carmichael learns to confront her feelings and embrace vulnerability, while Croft discovers the importance of understanding and communication in relationships. Their journey towards reconciliation is both realistic and satisfying, making the eventual resolution feel earned rather than contrived.
In comparison to other contemporary romance novels, Vale's work stands out for its authentic portrayal of Southern culture and the complexities of modern relationships. Readers who enjoy the works of authors like Kristan Higgins or Jill Shalvis will find much to love in Vale's writing. The blend of humor, heart, and relatable characters creates a reading experience that is both enjoyable and thought-provoking.
Overall, Quit Bein' Ugly is a charming addition to the Southern Gentleman series that captures the essence of love, rejection, and the power of second chances. Lani Lynn Vale has crafted a story that is not only entertaining but also resonates with anyone who has ever experienced the highs and lows of romantic relationships. With its engaging characters, witty dialogue, and heartfelt moments, this book is sure to leave readers smiling long after they turn the last page.
For those looking to dive into a world filled with Southern charm and relatable romance, Quit Bein' Ugly is a must-read. Vale's ability to blend humor with emotional depth makes this book a standout in the genre, and it is sure to attract both new readers and fans of her previous works.
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