Plucked By the Orc
by Jenna Larkin
Carnival Row meets My Fair Lady with a steamy sensibility. Welcome to the first Regency Monster Romance, in which the Lords of the Hidden Realm have a place in Society but never in the hearts of London’s fine human ladies.
Until Now.
Scratching by as a flower girl, Iris Gabbert speaks first and asks questions later. All the better to survive the rough and tumble East End streets. So if an odd-looking bloke knocks over a basket brimming with a girl’s means of making a living, what else is she to do but give him a tongue lashing he won’t soon forget? Even if it was an accident. Even if his lordship dresses like a right dandy. Even if he is more alluring than any gent who has passed her way before.
Broad of shoulder and abrupt in manner, the infamous Lord Barrington presents a proposition that promises all the honey with none of the bee’s busy work. And no one ever accused Iris Gabbert of passing on an opportunity. Especially not if it brings her one step closer to her dream of buying a shop. For the small price of improving her manners and donning gorgeous gowns, no less.
Duncan Higgins, Second Duke of Barrington, prides himself on his astute observations of human behavior. All the better to mask the pain of never truly belonging in their sphere. Rejected by the woman he’d hoped to woo, Duncan has withdrawn from Society to focus on his anthropological magnum opus: The Curious Customs of the Human Ton. But when his mischievous younger brother Albion presents him with a dare, Duncan quickly embraces the challenge.
To win the wager, Duncan must transform a humble flower girl into a lady “worthy” of acceptance in Society. His work is cut out for him. The girl he intends to slip into their ranks is uncouth. She refuses to soften her voice. Her favorite bonnet sits crooked on her head, and the rest of her wardrobe is appalling. Yet when Iris Gabbert emerges from her first bath at his elegant Mayfair townhouse, the power of Duncan’s desire ignites.
With sufficient income from his family’s mines to indulge her every whim, Duncan draws Iris into his private and luxurious world. Duncan intends to fulfill her every desire. Every last one. But as a newly refined Iris makes her debut, she catches the eye of the Season’s most eligible human bachelor, triggering Duncan’s deepest fears of rejection. Faced with jealousies, misunderstandings, and a treacherous social landscape, can true love—and lust—prevail?
.
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Martial Peak Reviews
Jenna Larkin's Plucked By the Orc is a delightful foray into the burgeoning genre of Regency Monster Romance, a subgenre that combines the elegance of Regency-era settings with the fantastical allure of mythical creatures. The novel cleverly intertwines elements of Carnival Row and My Fair Lady, creating a narrative that is both familiar and refreshingly unique. At its core, the book explores themes of societal acceptance, personal transformation, and the complexities of love across cultural divides.
The story introduces us to Iris Gabbert, a spirited flower girl from London's East End. Iris is a character who immediately captures the reader's attention with her sharp wit and unyielding determination. Her life takes an unexpected turn when she encounters Duncan Higgins, the Second Duke of Barrington, who is not only an orc but also a man of considerable wealth and influence. The dynamic between Iris and Duncan is the heart of the novel, and Larkin does an exceptional job of developing their relationship with nuance and depth.
One of the novel's most compelling themes is the exploration of societal norms and the rigid class structures of Regency-era London. Iris, with her humble beginnings, represents the marginalized individuals who are often overlooked by society. Her journey from a flower girl to a lady of society is not just a physical transformation but also a commentary on the arbitrary nature of social hierarchies. Larkin uses Iris's character to challenge the reader's perceptions of class and worth, making a poignant statement about the value of authenticity over superficial appearances.
Duncan Higgins, on the other hand, is a character who embodies the struggle of belonging. As an orc, he is caught between two worlds—the human society that he observes with a keen anthropological eye and the hidden realm of his own kind. His initial interest in Iris is driven by a wager, but as the story unfolds, it becomes clear that his fascination with her is much deeper. Larkin skillfully portrays Duncan's internal conflict and his gradual realization that love cannot be dictated by societal expectations or personal insecurities.
The chemistry between Iris and Duncan is palpable, and Larkin does not shy away from exploring the sensual aspects of their relationship. The novel is unabashedly steamy, with scenes that are both passionate and tender. However, the romance is balanced with moments of humor and genuine emotion, making the characters' connection feel authentic and relatable. The tension between desire and societal acceptance is a recurring motif, and Larkin handles it with a deft touch, ensuring that the romance never feels forced or contrived.
In terms of character development, both Iris and Duncan undergo significant growth throughout the novel. Iris's transformation is not just about learning to navigate high society but also about discovering her own strength and self-worth. Her journey is empowering, and readers will find themselves rooting for her as she challenges the status quo. Duncan's character arc is equally compelling, as he learns to embrace his true self and confronts his fears of rejection. Their individual growth is mirrored in their evolving relationship, which is portrayed with a realism that is both refreshing and engaging.
Larkin's writing is both evocative and immersive, capturing the essence of Regency London with vivid descriptions and a keen attention to detail. The world-building is intricate, seamlessly blending historical elements with fantastical ones. The inclusion of orcs and other mythical creatures adds a layer of intrigue and excitement, setting the novel apart from traditional Regency romances. The societal dynamics between humans and the Lords of the Hidden Realm are explored with depth, adding complexity to the narrative and raising thought-provoking questions about acceptance and prejudice.
Comparatively, Plucked By the Orc shares thematic similarities with other works in the genre, such as Gail Carriger's Parasol Protectorate series, which also blends historical settings with supernatural elements. However, Larkin's novel stands out for its focus on character-driven storytelling and its exploration of love across cultural boundaries. The novel's emphasis on personal transformation and societal critique aligns it with works like Pride and Prejudice, albeit with a fantastical twist.
Overall, Plucked By the Orc is a captivating and thought-provoking read that will appeal to fans of both romance and fantasy. Jenna Larkin has crafted a story that is as enchanting as it is insightful, with characters that linger in the reader's mind long after the final page is turned. The novel's blend of romance, humor, and social commentary makes it a standout addition to the Regency Monster Romance genre, and it is sure to leave readers eagerly anticipating Larkin's next literary endeavor.
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