Jan Ashton’s Perfectly Right is a delightful modern retelling of the classic Pride and Prejudice, condensed into a short story format that is both engaging and refreshing. With approximately 10,000 words, this novella manages to capture the essence of Austen's beloved characters while placing them in a contemporary setting that feels both familiar and innovative.

The story revolves around Elizabeth, who, in a bid to escape her mother’s relentless matchmaking, concocts a fictitious boyfriend. This seemingly harmless deception sets off a chain of events that leads to an unexpected proposal from Darcy, who is portrayed as desperately smitten and eager to prove his affections through a unique dating challenge. This premise, while light-hearted, cleverly explores themes of love, deception, and the societal pressures of relationships in the modern age.

One of the most striking aspects of Perfectly Right is its ability to maintain the charm and wit of Austen’s original characters while adapting them to a contemporary context. Elizabeth is as spirited and independent as ever, and her interactions with Darcy are filled with the same tension and chemistry that fans of the original will recognize and appreciate. Darcy, on the other hand, is portrayed with a modern twist; his vulnerability and earnestness in pursuing Elizabeth add depth to his character, making him relatable to today’s readers.

The novella’s low-angst approach is a refreshing departure from the often drama-laden romance genre. Ashton’s decision to keep the story “closed door” ensures that the focus remains on the emotional and intellectual connection between Elizabeth and Darcy, rather than physical intimacy. This choice not only respects the spirit of Austen’s work but also allows for a more nuanced exploration of the characters’ growth and development.

Ashton’s writing is crisp and engaging, with a narrative style that is both accessible and evocative. The dialogue is sharp and witty, capturing the essence of the characters’ personalities and their evolving relationship. The pacing is well-suited to the short story format, ensuring that the plot progresses smoothly without feeling rushed or underdeveloped.

In terms of themes, Perfectly Right delves into the complexities of modern relationships, particularly the impact of social media and societal expectations. Elizabeth’s creation of a fake boyfriend is a clever commentary on the pressures to conform to certain relationship norms, while Darcy’s public declaration of love on social media highlights the performative aspects of modern romance. These elements add a layer of realism to the story, making it relevant to contemporary readers.

Comparatively, Perfectly Right stands out among other modern adaptations of Pride and Prejudice due to its brevity and focus on character-driven storytelling. While other authors, such as Curtis Sittenfeld in Eligible or Jo Baker in Longbourn, have expanded the narrative to explore broader themes and subplots, Ashton’s novella remains tightly focused on the central romance. This approach allows for a more intimate exploration of Elizabeth and Darcy’s relationship, making it a perfect read for those seeking a quick yet satisfying romantic escape.

Overall, Perfectly Right is a charming and well-crafted modern variation of a timeless classic. Jan Ashton has succeeded in creating a story that is both faithful to the spirit of Austen’s work and relevant to today’s readers. The novella’s engaging characters, witty dialogue, and thoughtful exploration of modern romance make it a delightful addition to the genre. Whether you are a long-time fan of Pride and Prejudice or new to the world of Austen adaptations, Perfectly Right is sure to leave you with a smile and a renewed appreciation for the enduring appeal of Elizabeth and Darcy’s love story.