Office of the Lost
by J. Scott Coatsworth
When Perfection Collides With Chaos, Sparks Fly
Crispin Eladrin, desk fae at the Office of the Lost, could find a needle in ten haystacks. His desk is so neat it would make an accountant blush, and he’s never failed to complete a recovery mission. He has no idea how adorable he is, especially when he’s at his most annoyingly officious.
Enter utterly chaotic Leopold Lane. His life is a masterclass in disastrous events–and it’s about to get worse. He’s the latest thing that Crispin has been sent to retrieve, but when they meet, sparks fly. Literally. And now they must find their way back before someone—or something—enchants them, eats them, or stomps them to death.
Neither knows why the Office of the Lost is so hell-bent on acquiring Leo, but they’re determined to survive long enough to find out–and to see if opposites really do attract.
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Martial Peak Reviews
J. Scott Coatsworth’s Office of the Lost is a delightful foray into a world where the mundane meets the magical, and where the chaos of life is juxtaposed with the precision of order. This novel is a whimsical exploration of opposites attracting, set against a backdrop of mystery and enchantment. It’s a story that not only entertains but also subtly explores themes of identity, belonging, and the unpredictable nature of life.
The narrative kicks off with Crispin Eladrin, a desk fae whose life is defined by order and efficiency. His character is meticulously crafted, embodying the essence of someone who thrives on structure. Crispin’s ability to find a needle in ten haystacks is not just a testament to his skills but also a metaphor for his approach to life. He is the epitome of the organized professional, whose neatness and attention to detail are almost supernatural. Coatsworth does an excellent job of painting Crispin as both endearing and slightly exasperating, a character who is blissfully unaware of his own charm.
Enter Leopold Lane, a character who is the antithesis of Crispin. Leo’s life is a whirlwind of chaos, a series of unfortunate events that seem to follow him wherever he goes. His introduction into the story is a catalyst for change, not just for himself but for Crispin as well. The chemistry between the two characters is palpable from their first meeting, and Coatsworth captures this with a deft hand. The sparks that fly between them are not just metaphorical; they are literal, adding a layer of magical realism to their burgeoning relationship.
The dynamic between Crispin and Leo is central to the novel’s appeal. Their interactions are a dance of opposites, with Crispin’s officious nature clashing beautifully with Leo’s chaotic energy. This relationship is a testament to Coatsworth’s skill in character development. Both characters are given room to grow, and their journey is as much about self-discovery as it is about finding each other. The author explores the idea that opposites not only attract but can also complement each other, creating a balance that neither could achieve alone.
One of the novel’s strengths is its world-building. The Office of the Lost is a fascinating concept, a place where lost things—and people—are found and returned. It’s a setting that is both whimsical and slightly ominous, hinting at a larger world filled with magic and mystery. Coatsworth’s attention to detail in crafting this world is commendable, and it serves as a perfect backdrop for the unfolding drama. The office itself becomes a character of sorts, influencing the events and adding depth to the narrative.
The themes of the novel are woven seamlessly into the story. At its heart, Office of the Lost is about finding one’s place in the world. Both Crispin and Leo are searching for something—Crispin for order and purpose, and Leo for stability and acceptance. Their journey is a reflection of the human experience, where the quest for identity and belonging is universal. Coatsworth also touches on the theme of destiny versus free will, as the characters grapple with the reasons behind the Office’s interest in Leo.
In terms of impact, Office of the Lost is a novel that stays with the reader long after the last page is turned. It’s a story that is both entertaining and thought-provoking, offering a fresh take on the fantasy genre. Coatsworth’s writing is engaging and accessible, making it a perfect read for fans of magical realism and romantic fantasy.
Comparatively, the novel shares thematic similarities with works like Neil Gaiman’s Neverwhere and Terry Pratchett’s Discworld series. Like Gaiman, Coatsworth creates a world that exists parallel to our own, filled with wonder and danger. His use of humor and whimsy is reminiscent of Pratchett, adding a lightness to the narrative that balances the darker elements. However, Coatsworth’s focus on the romantic and personal growth aspects sets his work apart, offering a unique blend of fantasy and romance.
In conclusion, J. Scott Coatsworth’s Office of the Lost is a captivating tale that combines the best elements of fantasy, romance, and adventure. It’s a story that invites readers to lose themselves in a world where magic is real and love can be found in the most unexpected places. Whether you’re a fan of fantasy or simply looking for a heartwarming story of opposites attracting, this novel is sure to enchant and delight.
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