Not in Kansas (Kinky Oz 1) by R.G. Alexander is a tantalizing journey into a fantastical realm that reimagines the classic tale of Oz through a lens of unabashed sexuality and whimsical adventure. The narrative follows Kansas Frayne, a character who embodies the everyman archetype, thrust into a world that challenges his perceptions of desire, identity, and home. The blurb sets the stage for a story filled with gliders, wizards, and a plethora of sensual beings, promising readers an experience that is as provocative as it is imaginative.

From the outset, Kansas is portrayed as a solitary figure, content in his mundane existence. This characterization resonates with many readers who may find themselves feeling similarly trapped in the monotony of everyday life. However, the arrival of a freak storm serves as a catalyst for change, propelling him into a vibrant and chaotic universe where the rules of reality are bent and twisted. This transition is not merely physical; it symbolizes a deeper awakening of Kansas's repressed desires and memories that he struggles to comprehend. The author skillfully uses this fantastical setting to explore themes of self-discovery and liberation, inviting readers to reflect on their own hidden yearnings.

The world-building in Not in Kansas is one of its standout features. R.G. Alexander crafts a landscape that is both enchanting and bewildering, populated by beings that defy conventional norms. The introduction of "sensually sentient water" and "pleasure droids" adds layers of complexity to the narrative, challenging traditional notions of sexuality and companionship. These elements serve not only to titillate but also to provoke thought about the nature of desire and the boundaries of human experience. The author’s playful yet provocative approach to these themes is reminiscent of works by authors like Anne Rice and Jeanette Winterson, who similarly explore the intersections of sexuality and fantasy.

Character development is another strong suit of the novel. Kansas's journey is marked by his internal struggle to reconcile his newfound desires with his previous life. The wizard's challenge—to resist the allure of the beautiful king—serves as a pivotal point in his character arc. This challenge is not just about physical attraction; it represents a deeper conflict between duty and desire, safety and risk. As Kansas navigates this new world, he encounters a cast of characters that are as diverse as they are intriguing. Each character serves to reflect different aspects of Kansas's psyche, pushing him to confront his fears and embrace his true self.

The relationship dynamics in the story are particularly noteworthy. The chemistry between Kansas and the king is electric, filled with tension and longing. R.G. Alexander does an exceptional job of building this relationship, allowing it to evolve organically throughout the narrative. The graphic m/m scenes are not merely gratuitous; they are integral to the story, illustrating Kansas's transformation and his struggle to accept his desires. This exploration of sexuality is handled with sensitivity and depth, making it a compelling aspect of the overall narrative.

Moreover, the author’s use of humor and wit adds a delightful layer to the story. The playful nods to the classic Oz tale, coupled with the absurdity of the situations Kansas finds himself in, create a lighthearted tone that balances the more serious themes of the book. This blend of humor and eroticism is reminiscent of works by authors like Christopher Moore, who similarly infuse their narratives with a sense of whimsy while tackling profound themes.

As Kansas grapples with his feelings for the king, the story delves into the complexities of love and attachment. The notion of home becomes a central theme, prompting readers to consider what "home" truly means. Is it a physical place, or is it found in the connections we forge with others? Kansas's journey ultimately leads him to question whether he truly wants to return to his old life or if he is willing to embrace the unknown for the sake of love and fulfillment.

In conclusion, Not in Kansas (Kinky Oz 1) is a captivating blend of fantasy, eroticism, and self-discovery. R.G. Alexander has crafted a narrative that is both entertaining and thought-provoking, inviting readers to explore the depths of their desires while challenging societal norms. The book’s rich world-building, dynamic character development, and exploration of complex themes make it a standout in the genre. For those who enjoy stories that push boundaries and delve into the intricacies of human experience, this novel is a must-read. It not only entertains but also encourages introspection, making it a memorable addition to the realm of erotic fantasy literature.