Killer on the First Page
by Ian Ferguson
Three locked rooms. Three impossible crimes. One determined sleuth. Miranda Abbott is back in a new mystery from the bestselling authors of I Only Read Murder and Mystery in the Title
The famous are descending on the town of Happy Rock. This time, the stars are not of the screen but of the page. The Happy Rock bookstore, I Only Read Murder, is hosting not only an author festival but a murder mystery festival, with six of the biggest names in crime fiction.
New bookstore majority co-owner and former TV star Miranda Abbott loves nothing more than the idea of hosting literary luminaries. Little does she realize the authors are bringing their egos, their professional jealousies, and their personal grudges along with their books. And they all want the first look at a mysterious posthumous manuscript that has been delivered to the bookstore. This festival of rivals goes from bad to worse when one of the authors turns up dead in a locked room with no windows. And this death is just the beginning—no one knows which author will be next.
Miranda is on the case, along with Edgar, her almost–ex-husband; Andrew, her one-person entourage; Ned, the patient police chief; and the good people of Happy Rock. Together, they’ll stop at nothing to solve three murders, in three locked rooms, and three impossible crimes.
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Martial Peak Reviews
Ian Ferguson's Killer on the First Page is a delightful addition to the world of cozy mysteries, offering readers a tantalizing blend of intrigue, humor, and literary charm. This novel, part of the Miranda Abbott series, invites readers into the quaint yet mysteriously vibrant town of Happy Rock, where the lines between fiction and reality blur in the most entertaining ways.
The premise of the book is immediately engaging: three locked rooms, three impossible crimes, and one determined sleuth. Miranda Abbott, a former TV star turned bookstore co-owner, finds herself at the center of a literary storm when her bookstore, I Only Read Murder, hosts a murder mystery festival. The festival is a gathering of six of the biggest names in crime fiction, each bringing their own set of egos, professional jealousies, and personal grudges. The tension is palpable from the start, setting the stage for a series of events that are as unpredictable as they are thrilling.
Ferguson excels in crafting a narrative that is both intricate and accessible. The locked-room mystery is a classic trope in the genre, and Ferguson handles it with finesse, providing readers with a puzzle that is both challenging and satisfying. The mystery unfolds with a perfect balance of suspense and wit, keeping readers on their toes while also offering moments of levity that are much appreciated in a story filled with murder and intrigue.
One of the standout elements of Killer on the First Page is its rich character development. Miranda Abbott is a compelling protagonist, her transition from TV star to amateur sleuth adding depth to her character. Her determination and intelligence are evident as she navigates the complexities of the mystery, and her interactions with the other characters are both entertaining and revealing. The supporting cast, including her almost-ex-husband Edgar, her one-person entourage Andrew, and the patient police chief Ned, are well-drawn and add layers to the story. Each character is distinct, with their own motivations and secrets, contributing to the novel's intricate web of intrigue.
The themes explored in the novel are both timeless and timely. The professional rivalries and personal grudges among the authors at the festival highlight the often competitive nature of the literary world. Ferguson delves into the idea of authorship and legacy, particularly through the mysterious posthumous manuscript that everyone is eager to see. This adds an additional layer of complexity to the narrative, as the manuscript becomes a symbol of both ambition and envy.
Ferguson's writing style is engaging and fluid, with a keen eye for detail that brings the town of Happy Rock to life. The setting is almost a character in itself, with its charming bookstore and quirky inhabitants providing a backdrop that is both cozy and mysterious. The author's ability to create a sense of place is one of the novel's strengths, immersing readers in a world that is both familiar and intriguing.
In comparison to other works in the cozy mystery genre, Killer on the First Page stands out for its clever plot and well-developed characters. Fans of Agatha Christie's Hercule Poirot or Jessica Fletcher from Murder, She Wrote will find much to enjoy in Miranda Abbott's sleuthing adventures. Ferguson's novel shares the same sense of charm and wit, while also offering a fresh take on the genre with its literary festival setting and focus on the world of crime fiction authors.
Overall, Killer on the First Page is a thoroughly enjoyable read that will appeal to fans of cozy mysteries and literary fiction alike. Its blend of humor, suspense, and literary intrigue makes it a standout in the genre, and Ferguson's skillful storytelling ensures that readers will be eagerly turning the pages to uncover the truth behind the locked-room mysteries. Whether you're a longtime fan of the Miranda Abbott series or a newcomer to Ferguson's work, this novel is sure to entertain and delight.
In conclusion, Ian Ferguson has crafted a mystery that is both clever and charming, with a protagonist who is as endearing as she is determined. Killer on the First Page is a testament to the enduring appeal of the cozy mystery genre, offering readers a story that is both engaging and satisfying. It's a book that will leave you guessing until the very end, and one that will linger in your mind long after you've turned the final page.
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