Just Come Over
by Rosalind James
Rhys Fletcher is not in love with his sister-in-law.
That would be a very, very bad idea, and he doesn’t entertain bad ideas. He also doesn’t lie to himself.
Both of those things can’t be true, so he’ll do what he’s done since the long-ago night when his brother, Dylan, turned up in an Auckland bar after a brutal rugby match between their two teams, and introduced his new girlfriend—a dark-eyed, impossibly short, much-too-young girl named Zora.
He’ll lie.
Now, his brother’s gone, and Rhys is back in New Zealand and settling into his new job as the head coach of the Auckland Blues. Surely, being there for Dylan’s widow and their son is the right thing to do. Until he gets a call from his lawyer, and flies to the States to find that handsome, charming, endlessly irresponsible Dylan has left yet another loose end for his big brother to sort out.
This one is six years old. And her birth certificate says she belongs to Rhys.
.
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Martial Peak Reviews
Rosalind James' novel Just Come Over is a compelling exploration of love, loyalty, and the complexities of familial relationships. Set against the backdrop of New Zealand's vibrant rugby culture, the story delves into the intricate dynamics between Rhys Fletcher, his late brother Dylan, and Dylan's widow, Zora. The narrative is a poignant blend of romance and drama, with a touch of mystery that keeps readers engaged from start to finish.
At the heart of the novel is Rhys Fletcher, a character who embodies the struggle between duty and desire. Rhys is a man of principles, someone who has always put his family's needs above his own. His internal conflict is palpable as he grapples with his feelings for Zora, his sister-in-law. James does an excellent job of portraying Rhys as a deeply flawed yet relatable character. His sense of responsibility is both his strength and his Achilles' heel, making him a compelling protagonist.
The theme of unrequited love is central to the narrative. Rhys' feelings for Zora are a secret he has harbored for years, a secret that becomes increasingly difficult to keep as he steps into the role of a surrogate father for Dylan's son. The tension between Rhys and Zora is palpable, and James masterfully builds this tension with subtlety and nuance. The chemistry between the two characters is undeniable, yet their relationship is fraught with complications, not least of which is the ghost of Dylan, whose presence looms large over their lives.
James' portrayal of Zora is equally compelling. She is a character who has been through a lot, yet she remains resilient and strong. Her relationship with Rhys is complex, marked by a shared history and mutual respect. Zora's journey is one of self-discovery as she navigates the challenges of single parenthood and the lingering grief of losing her husband. Her character development is one of the highlights of the novel, as she evolves from a grieving widow to a woman who is ready to embrace life and love once again.
The introduction of a six-year-old child, who is revealed to be Rhys' daughter, adds another layer of complexity to the story. This unexpected twist forces Rhys to confront his past and reevaluate his priorities. The child serves as a catalyst for change, pushing Rhys to reconsider his relationship with Zora and his role in her life. James handles this plot development with sensitivity, ensuring that it feels organic and believable.
One of the strengths of Just Come Over is its setting. James paints a vivid picture of New Zealand, capturing the essence of its landscapes and culture. The rugby scenes are particularly well-done, providing a backdrop that is both authentic and engaging. The sport serves as a metaphor for the characters' struggles, with its themes of teamwork, perseverance, and resilience mirroring the challenges they face in their personal lives.
In terms of writing style, James excels in creating a narrative that is both emotionally resonant and thought-provoking. Her prose is elegant and evocative, drawing readers into the world she has created. The dialogue is sharp and realistic, adding depth to the characters and their interactions. James' ability to balance romance with drama is commendable, ensuring that the story remains engaging without veering into melodrama.
Comparatively, Just Come Over shares thematic similarities with works by authors like Jojo Moyes and Nicholas Sparks, who also explore the complexities of love and loss. However, James' novel stands out for its unique setting and the way it intertwines the world of rugby with the characters' personal journeys. The novel's exploration of familial bonds and the impact of secrets on relationships is reminiscent of Moyes' The Last Letter from Your Lover, while its emotional depth and character-driven narrative are akin to Sparks' The Notebook.
Overall, Just Come Over is a beautifully crafted novel that offers a fresh take on the romance genre. Its exploration of themes such as love, loyalty, and the consequences of past actions is both insightful and moving. James has created a story that is not only entertaining but also thought-provoking, leaving readers with much to ponder long after they have turned the last page. For those who enjoy character-driven narratives with a touch of romance and drama, Just Come Over is a must-read.
In conclusion, Rosalind James has delivered a novel that is both heartwarming and heart-wrenching, a testament to her skill as a storyteller. Just Come Over is a story about the power of love to heal and transform, a reminder that sometimes, the most unexpected relationships can lead to the greatest happiness. It is a book that will resonate with anyone who has ever loved and lost, and ultimately, found the courage to love again.
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