Summary
Just a Footnote
by Maya Jean
Aiden doesn’t do attachments let alone date. No strings attached, that’s the way he lives his life. No boyfriends, girlfriends, and definitely no falling in love. But when he falls into a benefits only arrangement with his twin brother’s best friend and hockey teammate, Liam Walsh, he’s soon afraid Liam might be strong enough to scale all his sky high walls. The walls are there for a reason and he can’t let them be climbed.
Aiden’s only saving grace is that their hookups have a time limit. Once college is over they’re over too. Aiden has it all planned out but the best things in life always happen when you aren’t planning on them.
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Martial Peak Reviews
Just a Footnote by Maya Jean is a provocative and insightful exploration of the subtle ways in which the overlooked and undervalued can influence history and personal lives. The novel weaves a complex narrative that spans several generations, focusing on characters who, in the grand scheme of events, might be considered mere footnotes. However, Jean masterfully elevates these characters, urging the reader to ponder the depth and consequence of every human life.
The story centers around Eliza Benton, a librarian in the small, sleepy town of Aldersbrook, whose unremarkable days at the library are enlivened only by her vivid imagination and deep dives into historical research. Eliza stumbles upon a series of letters tucked away in an ancient tome, which reveal her connections to a little-known feminist poet of the Victorian era, Sarah Winscombe. As the narrative unfolds, Eliza’s fascination with Sarah grows, leading her into a journey that blurs the lines between past and present.
What makes Just a Footnote particularly compelling is its dual narrative structure. Jean alternates between Eliza’s investigations in the present and Sarah’s struggles in the past, effectively layering their stories in a way that highlights their parallels and differences. Both characters are depicted as women constrained by the expectations of their times, yet they both exhibit a remarkable resilience in seeking out truths and pursuing their own paths to self-realization.
Maya Jean’s prose is both elegant and accessible, with a lyrical quality that draws the reader deeply into both settings. Her depictions of Victorian England are particularly evocative, capturing the oppressive yet oddly beautiful atmosphere of the era. In modern times, she portrays the sleepy town of Aldersbrook with such authenticity that one can almost hear the whispering of leaves down its main street and the quiet shuffle of feet within the dusty library.
A striking feature of the novel is its commentary on the nature of history itself. Through Eliza’s and Sarah’s stories, Jean posits that history is not only about the grand events and noted individuals, but also about the quiet, persistent influences of those who go unnoticed. The title Just a Footnote is thus a challenge to the reader: to reconsider what, or whom, we deem significant.
The thematic depth of the novel is also enriched by its treatment of loneliness and connection. Both Eliza and Sarah, in their respective timelines, experience profound isolation due to their pursuits and passions, which are misunderstood by those around them. Their gradual connection across centuries through letters becomes a powerful metaphor for the timeless human search for understanding and recognition. This connection, beautifully unravelled and tenderly crafted by Jean, becomes the emotional core of the story.
However, while the dual narrative is ingenious, it occasionally struggles with pacing. The switch between past and present can be jarring at times, particularly in the earlier parts of the book where the connection between the two timelines isn’t yet clear. Readers might find the initial chapters a bit perplexing, but persistence is rewarding as the layers start to coalesce into a compelling tapestry as the book progresses.
In supporting roles, characters like Thomas, Eliza’s colleague and friend, and Mrs. Downing, Sarah’s stern but ultimately supportive governess, add further nuance to the narrative. They are well-crafted, with complexities and personal growth arcs that complement those of the protagonists. Particularly, Thomas’s skepticism about Eliza’s historical obsessions provides a necessary dose of realism that grounds their explorations and brings a balance to Eliza’s fervor.
The novel culminates in a climax that is both surprising and deeply satisfying, tying together the thematic strands in a resolution that speaks to both the heart and the mind. Without giving away spoilers, the ending reiterates Jean’s underlying message about the value and impact of those deemed minor in the traditional narratives of history.
Just a Footnote is a reflective, beautifully written novel that challenges conventional perceptions of history and significance. Maya Jean presents a heartfelt argument for the value of every life, no matter how seemingly trivial in the historical record. This novel is ideal for readers who enjoy historical fiction with a deep emotional and philosophical core. It not only entertains but also invites introspection about the roles we all play in the weaving of the vast human tapestry.
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