In "City of the Dead," Jonathan Kellerman adds another engrossing chapter to his beloved Alex Delaware series, diving deeply into the intricacies of psychological thrillers intertwined with crime-solving elements. Kellerman’s finesse in melding suspense with detailed psychological insights is on full display, making this book a compelling read for both long-standing fans and newcomers to the series. The plot kicks off with a shocking scene — two bodies are discovered on a quiet residential street in Los Angeles. One is a naked, dead man sprawled across the road, and the other is a half-dressed woman, who despite severe injuries, survives. The enigmatic nature of this crime scene draws in psychologist Dr. Alex Delaware and his frequent collaborator, LAPD Detective Milo Sturgis. The duo is tenacious and meticulous, characteristics that their fans have come to admire and expect. The story unfolds through a series of twists and sleuthing that uncovers deep-seated human motives, making the journey not just about finding the killer but exploring the psychological triggers behind the crimes. One of the strengths of Kellerman’s writing is his character development. Alex Delaware, as always, is portrayed not just as a skilled psychologist but as a multifaceted human being who struggles with the moral and ethical dilemmas that his job entails. Detective Sturgis's portrayal as a gay detective in what can sometimes be a hostile environment adds layers to his character and provides commentary on social issues without detracting from the thrill and pace of the narrative. Their relationship, marked by mutual respect and dry wit, drives much of the dialogue and provides lightness to the otherwise grim circumstances. Furthermore, Kellerman's expertise as a psychologist himself permits a rich exploration of the psychological aspects of crime. This not only adds depth to the characters involved but also enriches the reader’s understanding of the criminal mind. The psychological discussions and forensic details are presented in a manner that is insightful yet digestible, ensuring that readers are engaged but not overwhelmed by professional jargon. However, while "City of the Dead" excels in character exploration and psychological depth, it does sometimes stumble in pacing. The meticulous detail, while usually a merit, occasionally slows down the narrative, particularly in the middle chapters where the investigation seems to tread water. This might test the patience of some readers eager for continuous advancements in the plot. Despite this, Kellerman manages to pull it all together in a climactic finish that is both thrilling and satisfying, tied up with intellectual and emotional resolution. The setting of Los Angeles is also effectively utilized by Kellerman, who uses the city’s vast, contrasting landscapes as a backdrop that mirrors the psychological complexities of the book's characters. From the decadent hills to the gritty streets, the environment adds an atmospheric touch to the unfolding drama, enhancing the overall narrative. In conclusion, "City of the Dead" is a robust addition to Jonathan Kellerman’s repertoire. It successfully combines a twisty plot with well-rounded character development and insightful psychological analysis. While the pacing occasionally slows, the overall narrative retains the compelling allure that fans of Kellerman have come to expect. This book is recommended to those who appreciate not just the thrill of the chase and resolution of a crime, but also a profound look into what drives such dark behaviors in the human psyche. Newcomers to the series should find this installment accessible, potentially igniting interest in previous books of the series. In essence, Kellerman continues to impress with his ability to weave narrative, character, and psychological depth into a tightly packed, engaging read.