Beyond Hate
by Lee McCormick
The only thing stronger than hate is… his obsession.
Otto
In another life, I’d loved Nikki. In another life, he’d betrayed me. Brought back by a corrupt company who deals in souls and reincarnation, I was promised a chance for revenge. I wasn’t born a psychopath, but death made me into one. Nikki made me into the monster I am.
The problem is, the man they say is Nikki is… different. His name is London, and he’s pure light and softness. I want to peel away his layers to see if the boy I knew—the boy who broke me—is still somewhere inside.
London
My life is thrown into a world of darkness and impossibility when I’m taken by a man who tells me he knows me, who tells me I betrayed him. I don’t know Otto, but something inside me recognizes him.
Even though he abducted me, chained me up… even though he made me watch him do unspeakable things… for some reason, my body craves his darkness. I want to run away, I want to run toward him. I need to know why I’m drawn to a man who wants to break me apart.
.
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Martial Peak Reviews
Lee McCormick's Beyond Hate is a gripping exploration of the dark recesses of human emotion, where the lines between love and hate blur into a complex tapestry of obsession and redemption. The novel delves into the intricacies of reincarnation, revenge, and the transformative power of love, offering readers a narrative that is as unsettling as it is compelling.
At the heart of the story is Otto, a character whose journey from love to betrayal and ultimately to vengeance is both tragic and fascinating. In another life, Otto loved Nikki, but betrayal turned that love into a consuming hatred. Brought back to life by a corrupt company dealing in souls and reincarnation, Otto is promised a chance at revenge. This premise sets the stage for a narrative that is both unique and thought-provoking, challenging readers to consider the nature of identity and the possibility of change.
Otto's transformation into a psychopath is a central theme of the novel, and McCormick handles this evolution with a deft hand. The author explores the idea that Otto was not born a monster, but rather, his experiences and the betrayal he suffered shaped him into one. This raises intriguing questions about the nature of evil and whether it is inherent or cultivated by circumstance. Otto's obsession with Nikki, now reincarnated as London, is portrayed with a chilling intensity that underscores the thin line between love and hate.
London, on the other hand, is a character of contrasts. Described as pure light and softness, he is the antithesis of Otto's darkness. Yet, there is an undeniable connection between them, a recognition that transcends the boundaries of their current lives. McCormick skillfully develops London's character, imbuing him with a sense of vulnerability and strength that makes him both relatable and intriguing. His internal conflict—torn between fear and an inexplicable attraction to Otto—adds depth to the narrative, making readers question the nature of their own desires and fears.
The dynamic between Otto and London is the driving force of the novel, and McCormick excels in crafting a relationship that is as complex as it is compelling. The tension between them is palpable, and the author does not shy away from exploring the darker aspects of their connection. The scenes of abduction and psychological manipulation are intense, yet they serve to highlight the underlying themes of power, control, and redemption. McCormick's ability to balance these elements is a testament to their skill as a storyteller.
One of the most striking aspects of Beyond Hate is its exploration of the concept of reincarnation and the idea that past lives can influence present actions. This theme is woven throughout the narrative, adding layers of complexity to the characters' motivations and actions. The corrupt company that deals in souls and reincarnation serves as a backdrop for the story, raising ethical questions about the manipulation of life and death. McCormick uses this premise to explore the idea of second chances and whether true redemption is possible.
In terms of character development, McCormick excels in creating multidimensional characters who are both flawed and sympathetic. Otto's journey from love to hate and back to a semblance of redemption is portrayed with nuance and depth, making him a character that readers will find themselves both repelled by and drawn to. Similarly, London's struggle to reconcile his past and present selves is handled with sensitivity, making his journey one of self-discovery and empowerment.
The novel's pacing is well-executed, with McCormick maintaining a sense of tension and suspense throughout. The narrative unfolds in a way that keeps readers engaged, with each revelation adding to the overall impact of the story. The author's prose is both evocative and precise, capturing the emotional intensity of the characters' experiences while also providing moments of introspection and reflection.
Comparatively, Beyond Hate shares thematic similarities with works by authors such as Gillian Flynn and Stephen King, who also explore the darker aspects of human nature and the complexities of identity. However, McCormick's unique take on reincarnation and the interplay between love and hate sets this novel apart, offering readers a fresh perspective on familiar themes.
In conclusion, Beyond Hate is a thought-provoking and emotionally charged novel that challenges readers to consider the nature of love, hate, and redemption. Lee McCormick has crafted a story that is both unsettling and compelling, with characters that linger in the mind long after the final page is turned. For those who enjoy psychological thrillers with a touch of the supernatural, this book is a must-read.
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