Summary
Ben (The Sherwood)
by Lee Wardlow
Ben
Elijah’s story was sweet and filled with romance, right?
Mine started out that way then all hell broke loose.
Jasmine left our daughter with Elijah and Jenny. I became a single father. Me. The one who didn’t want the child in the first place but then I held hr in the hospital and fell in love with her. I muddled through single fatherhood with Seth’s help.
Then I saw Disa Riley at the store where I was buying supplies for Asia. Disa and I had a past that I had been running from for six years. She was the one that got away. I had tried running to Jasmine to escape the pain of losing Disa. Not my brightest idea. You see where that got me?
I wouldn’t change a thing though.
I kissed her. Drunk off my ass at Dad’s pub. I kissed Disa in the men’s restroom. What was she doing in there with me? You’ll have to read my story to find out. She had secrets though that would haunt our happiness.
My family did too. Secrets that had torn us apart six years ago. I was angry at their betrayal. It’s hard to stay angry when your Mom is kidnapped, and your vigilante brothers AJ and Heath have something to do with this hell you are living now. I just wanted to live an uncomplicated life. The Hatfield’s apparently don’t know how to do that.
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Martial Peak Reviews
Lee Wardlow's Ben (The Sherwood) is a compelling exploration of love, loss, and the complexities of family dynamics, set against the backdrop of a small town where secrets fester and relationships are tested. The narrative is primarily centered around Ben, a character who finds himself thrust into the role of a single father after Jasmine, the mother of his child, leaves their daughter in the care of Elijah and Jenny. This unexpected turn of events sets the stage for a story that is as much about personal growth as it is about romantic entanglements.
From the outset, Wardlow captures the reader's attention with Ben's internal conflict. Initially resistant to the idea of fatherhood, Ben's perspective shifts dramatically when he holds his daughter for the first time. This moment of vulnerability is beautifully portrayed, showcasing Wardlow's ability to delve into the emotional landscape of his characters. The author does an excellent job of illustrating Ben's transformation from a reluctant parent to a devoted father, highlighting the profound bond that can develop between a parent and child, even under the most challenging circumstances.
As the story unfolds, the introduction of Disa Riley adds layers of complexity to Ben's life. Their shared history is fraught with unresolved feelings and past mistakes, making their reunion both poignant and fraught with tension. Wardlow skillfully navigates the intricacies of their relationship, allowing readers to feel the weight of their shared past and the potential for a future together. The moment when Ben kisses Disa in the men's restroom is emblematic of the reckless abandon that often accompanies rekindled love, and it serves as a catalyst for the ensuing drama.
One of the standout themes in Ben (The Sherwood) is the idea of confronting one's past. Ben's journey is not just about embracing fatherhood; it is also about facing the ghosts of his previous relationships and the choices he made. The author deftly weaves in the notion that running away from one's problems often leads to more significant issues down the line. This theme resonates deeply, as it reflects a universal truth about the human experience—avoiding confrontation rarely leads to resolution.
Wardlow also explores the theme of family secrets, which adds an element of suspense to the narrative. The revelation that Ben's family is entangled in a kidnapping plot involving his mother creates a sense of urgency and danger that propels the story forward. This subplot not only heightens the stakes for Ben but also serves as a vehicle for character development. As he grapples with his family's betrayal, readers witness his evolution from a passive participant in his life to an active agent determined to reclaim his narrative.
The character development in Ben (The Sherwood) is particularly noteworthy. Ben's growth is mirrored by the supporting characters, each of whom brings their own struggles and secrets to the table. Seth, Ben's friend, plays a crucial role in helping him navigate the challenges of single fatherhood, while Disa's own secrets add depth to her character and complicate her relationship with Ben. The interplay between these characters creates a rich tapestry of relationships that feels authentic and relatable.
Wardlow's writing style is engaging and accessible, making it easy for readers to immerse themselves in the story. His use of humor, particularly in the interactions between Ben and his friends, provides a welcome balance to the more serious themes at play. This blend of lighthearted moments and emotional depth is reminiscent of works by authors like Kristan Higgins and Jill Shalvis, who also excel at crafting stories that combine romance with real-life challenges.
Moreover, the setting of the story plays a significant role in shaping the characters' experiences. The small-town atmosphere is palpable, and Wardlow effectively captures the nuances of community life, from the local pub where Ben's drunken kiss with Disa occurs to the intimate moments shared between family members. This sense of place enhances the narrative, grounding the characters' journeys in a relatable context.
In conclusion, Ben (The Sherwood) is a heartfelt and engaging tale that explores the complexities of love, family, and personal growth. Lee Wardlow has crafted a story that resonates on multiple levels, inviting readers to reflect on their own relationships and the choices that shape their lives. With its well-developed characters, intricate plot, and a perfect blend of humor and drama, this book is sure to captivate fans of contemporary romance and family sagas alike. Whether you're drawn in by the promise of romance or the intrigue of family secrets, Ben (The Sherwood) delivers a satisfying reading experience that lingers long after the last page is turned.
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