All the Things We Buried
by A. eM.
Dark psychological gothic horror, taboo, step-siblings trope.
In a haunted manor where memories never die, forbidden love starts to bloom. But what happens when some truths come out that are meant to stay buried?
When Dorian is called back at Gloomsbury Manor to help his mother with her strange, distant stepdaughter, he doesn’t expect the girl who opens the door- pale, sharp-tongued, and quietly broken- to become his obsession.
Lenore is nothing like he imagined. Fragile but defiant, trapped in a house that watches her sleep and whispers in the dark. The longer Dorian stays, the more the manor sinks its claws into him, warping time, bleeding secrets, twisting what’s real.
He starts to see things. Hear voices. And feel drawn to Lenore in ways no stepbrother should.
She says the house is haunted. That it remembers. That it wants something.
But Dorian is starting to believe the manor doesn’t just remember the past — it feeds on it.
And now that he’s here, it won’t let him leave either.
Because in Gloomsbury Manor…
Love never dies. It haunts.
It becomes the ghost that stays behind.
.
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Martial Peak Reviews
A. eM.'s All the Things We Buried is a haunting exploration of the human psyche, wrapped in the atmospheric shroud of gothic horror. The novel delves into the complexities of forbidden love, the weight of memory, and the supernatural pull of a haunted manor. With its dark, psychological undertones, the book offers a chilling yet captivating experience that lingers long after the last page is turned.
The setting of Gloomsbury Manor is a character in itself, a living entity that breathes and whispers, shaping the narrative with its oppressive presence. The manor is not just a backdrop but a catalyst for the unfolding drama, a place where time warps and reality blurs. A. eM. masterfully crafts an environment that is both claustrophobic and expansive, drawing readers into its eerie embrace. The manor's ability to remember and feed on the past adds a layer of psychological horror that is both unsettling and intriguing.
The central characters, Dorian and Lenore, are intricately developed, each carrying their own burdens and secrets. Dorian's return to Gloomsbury Manor is initially driven by familial duty, but it quickly becomes apparent that his journey is one of self-discovery and obsession. His character arc is compelling, as he grapples with the manor's influence and his growing, forbidden attraction to Lenore. The step-siblings trope is handled with a delicate balance, exploring the taboo nature of their relationship without resorting to sensationalism.
Lenore, on the other hand, is a fascinating enigma. Her fragility is juxtaposed with a defiant strength that makes her a captivating figure. Trapped in a house that seems to hold her captive, she embodies the struggle between submission and rebellion. Her interactions with Dorian are charged with tension and unspoken desires, creating a dynamic that is both tender and fraught with danger. The chemistry between them is palpable, adding an emotional depth to the narrative that elevates it beyond mere horror.
The themes of memory and the past are woven intricately throughout the novel. The manor's ability to remember and feed on past events serves as a metaphor for the characters' own struggles with their histories. Dorian and Lenore are both haunted by their pasts, and the manor becomes a physical manifestation of their internal battles. This exploration of memory and its impact on the present is a powerful commentary on the human condition, highlighting the ways in which we are shaped by our experiences and the ghosts we carry with us.
A. eM.'s prose is both lyrical and haunting, capturing the gothic essence of the story with vivid imagery and evocative language. The narrative is imbued with a sense of foreboding, as the line between reality and the supernatural becomes increasingly blurred. The author's ability to create a sense of unease and tension is commendable, drawing readers into a world where love and horror are inextricably linked.
In comparison to other works in the genre, All the Things We Buried stands out for its psychological depth and character-driven narrative. While it shares thematic elements with classics like Emily Brontë's Wuthering Heights and Shirley Jackson's The Haunting of Hill House, A. eM.'s novel offers a modern twist on the gothic tradition. The exploration of taboo relationships and the psychological impact of the supernatural are handled with a contemporary sensibility that resonates with today's readers.
The novel's impact lies in its ability to evoke a visceral response, drawing readers into a world where love is both a haunting and a salvation. The interplay between the characters and the manor creates a narrative that is as much about the human experience as it is about the supernatural. The book challenges readers to confront their own fears and desires, leaving them with a lingering sense of unease and reflection.
In conclusion, All the Things We Buried is a masterful blend of gothic horror and psychological drama, offering a rich and immersive reading experience. A. eM. has crafted a tale that is both timeless and contemporary, exploring themes of love, memory, and the supernatural with a deft hand. For those who appreciate a story that delves into the darker corners of the human psyche, this novel is a must-read. It is a haunting reminder that some truths, once unearthed, can never be buried again.
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